Sumai no sechie

Sumo in Japanese Ancient Myth
Sumo has an extended history, and it is described in “haniwa” (hollow clay numbers) and unglazed Sueki ware from Kofun duration (tumulus period: 3rd to 7th century ). The amount of Kamiyo (many years of gods) into the Japanese old book “Kojiki” (The Records of old Matters), which is the ancient Japanese myth, includes an account concerning Takeminakata (a Japanese god) saying to Takemikazuchi (various other Japanese god) he desired to see which of them was the stronger god, and wanting to grab Takemikazuchi’s arm and put him, when Takemikazuchi had been sent to Ashihara no Nakatsukuni (the Central Land of Reed Plains) to conquer that destination. Takeminakata couldn't grab Takemikazuchi’s arm sooner or later because Takemikazuchi changed their supply into an icicle and then a sword. Moreover, Takemikazuchi crashed Takeminakata’s submit their hand as if it absolutely was a reed, and Takeminakata was no match for him. This really is considered the foundation of sumo.

Sumo has actually more than 2000 yeas record
In accordance with Nihonshoki (The Chronicles of Japan), the earliest fight between real human fighters, perhaps not gods, ended up being a battle between NOMI no Sukune and TAIMA no Kehaya at Sumaitorashimu (also often called Sumai) on August 26, B.C. 23 (this fight normally considered the origin of judo). This book states the emperor heard that TAIMA no Kehaya had been the maximum wrestler in which he additionally stated that Sukume broke Kehaya’s rib and hipbones with his kick technique and killed him. This really is distinctive from modern-day sumo, and ended up being demonstrably a military or style. Sukume is worshiped since the daddy of sumo. as well as Kojiki and Nihonshoki, information of sumo have emerged in other materials such “Shoku Nihongi” (The Chronicle of Japan Continued), “Nihon Koki” (The Later Chronicle of Japan), “Shoku Nihon Koki” (The Later Chronicle of Japan Continued), “Nihon Montoku Tenno Jitsuroku” (The Veritable registers of Emperor Montoku of Japan), “Nihon Sandai Jitsuroku” (The Veritable Records of Three Reigns of Japan), “Ruiju Kokushi” (The Classified nationwide background), “Nihongi Ryaku” (The Overview of Japanese Chronologies), “Shoyuki” (The Diary of FUJIWARA no Sanesuke), and “Chuyuki” (The Diary of FUJIWARA no Munetada).

Connection between Sumo and Imperial Court of Japan
In 726, they defined a list of restricted techniques, 48 significant sumo strategies, etiquette, and good ways. Emperor Shomu (whose reign was from 724 to 749) granted an Imperial order in order to very nearly forcibly recruit sumo wrestlers from outlying communities throughout the nation. This is since the Emperor enjoyed viewing sumo matches into the yard regarding the Shishinden Hall (the Hall for State Ceremonies) of the Imperial legal throughout the yearly ceremony of the celebrity Festival held on July 7. Into the Heian duration, sumo was already an essential ceremony associated with the Imperial Court. The Sumai no Sechie (Festival of Wrestling) happened regularly every year among sando sechi (three annual legal ceremonies). Besides Sumai no Sechie in the Imperial Court, ordinary citizens additionally enjoyed sumo greatly. At the same time, buke zumo (samurai sumo) among samurai was instruction of wrestling for actual combat, and also labeled fighting styles that permitted all of them to train themselves and brain.

Start of Ozumo (Grand Sumo Tournament)
In the Edo period, Ozumo (grand sumo tournament) became a professional career.　The original wrestlers Ozumo were probably samurai, frequently Ronin, who needed to find an alternative kind of earnings. Present professional sumo tournaments started in Tomioka Hachiman Shrine in 1684, and then were held into the Eko-in within the Edo duration. Western Japan in addition had its sumo venues and tournaments in this duration with by far the most prominent center becoming in Osaka. Osaka sumo carried on to your end of Taisho duration in 1926, when it merged with Tokyo sumo to form one company. For a short period after this four tournaments were held per year, two tournaments in locations in western Japan such as for instance Nagoya, Osaka and Fukuoka, as well as 2 in Ryogoku Kokugikan in Tokyo. From 1933 onward tournaments were held almost solely within the Ryogoku Kokugikan before American career forces appropriated it additionally the tournaments had been relocated to Meiji Shrine before 1950s. After that another place, the Kuramae Kokugikan that was near Ryogoku, was built for sumo. Also within duration, the Sumo Association started broadening to venues in western Japan again, reaching an overall total of six tournaments per year by 1958 with 1 / 2 of them in Kuramae. In 1984, the Ryogoku Kokugikan was rebuilt and sumo tournaments in Tokyo happen held there ever since.

Grand Sumo Tournament in Edo stage

Sumo in Japanese Ancient Myth
Essentially, two individuals wearing a sumo wrestler’s belt get up on a “Dohyo” in the form of a circle with a diameter of 4.55 meters (15 shaku) or a square, as well as wrestle with each other to battle on finish. A wrestler loses as he goes out of dohyo, when their areas of the body with the exception of his bottoms touch the floor, or when he commits a foul. A Gyoji (sumo referee) creates a choice. Typically, a wrestler’s age, level, and weight don't impact sumo matches.

Two wrestlers remain dealing with one another with a brief distance between them on a circle-shaped “Dohyo”, and they bend their knees until they may be able touch the starting line due to their fists. This is named “Shikiri”, as well as the wrestlers should continue this until their particular Tachiai (rising from a crouch to assault) ended up being successfully made. Wrestlers making use of their fists holding the floor secure eyes with one another, and then rise towards the attack in addition. They generally attack the opponent from front, however it doesn't mean they will have for this. This initial cost is called “Tachiai”. Tachiai is unique to Japan with no other nations begin their matches this way. Only a tacit understanding amongst the wrestlers can determine the initiating time for wrestling. The ideal Tachiai is so that two spirited wrestlers stand up whenever both wrestlers are totally motivated after repeating Shikiri. A Gyoji just verifies the wrestlers’ tachiai, and then he doesn't declare the start of the match, unlike referees and umpires of other activities.

A match is decided when one of several following occurs.
Whenever any of the opponent’s body parts with the exception of their bottoms touch the Dohyo
The adversary manages to lose if he is tossed down and his straight back details the bottom, he is drawn along with his fist variations the bottom, or his tresses details the floor in a serious case.

Whenever adversary is forced from the Dohyo
The wrestler wins when an integral part of their opponent’s human anatomy touches the outside of this Dohyo.

In several sumo-like combat activities except for Japanese sumo, a player wins if his or her opponent’s straight back touches the bottom exactly like a fall-in wrestling. Additionally, while going out of a fighting location is an offense such activities, the ball player frequently will not lose the match directly after normally. Of these two factors, a sumo match are determined in a short period of the time, and no it's possible to anticipate caused by a match until prior to it really concludes. This might be a primary reason why sumo tournaments might have fair suits without fat groups.
Pushing is the most important part of sumo. A sumo wrestler brings their hand and supply when he grabs their opponent belt, but in that situation, the wrestler attempts to carry on forward eventually along with his arms pulling back. Some people state, “Whether or not your opponent pushes, only continue forward.” There are many pulling techniques such as for example hikiotoshi (hand pull-down) in fact, but the majority of people hate such practices. Besides, people think that, even when the opponent steps back, the wrestler should go ahead quicker than their opponent’s step.

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